Prev of 8 Next Prev of 8 NextĪlthough Bitwig's context-sensitive Inspector appears at first glance to be a step up from Live's comparatively barren Clip View, it doesn't actually offer a great deal more in terms of adjustable parameters - although still just enough to make it the more powerful of the two.
Plus, of course, we just love Live's cool, minimalist, vector-based GUI.
However, Live hits back pretty hard with its adjustable track heights (Bitwig's two fixed options feel maddeningly restrictive at times), native OS-based menus, customisable colour scheme and useful Info view. Oh, and the Big Meters in Bitwig’s Mix View are pretty sweet, too, giving those who don't use the Clip Launcher something else to fill all that empty space with, as is triple monitor support, should you be well-equipped enough to need it.
#Bitwig studio setlist full
Live's non-native equivalent gives a full screen view, but sits it on top of all your other apps rather than giving it its own OS X Space. Fully loadedĪlso landing a punch for Bitwig is native OS X full screen support. While in practical terms this ultimately achieves the same result, Bitwig’s solution takes the prize for its simplicity, economic use of real estate and ergonomics. This launches an independent second window displaying the alternative View to that of the main one. Although moving clips between its two Views has always been possible in Live by simply dragging a clip, hitting Tab to switch view, then dropping the clip wherever you like, Ableton nonetheless made a step towards a 'single-screen' solution with the 'Second Window' function added in Live 9.1. Live's inability to give access to its Arrangement and Session views at the same time has been a perennial issue among the Ableton faithful, so the Clip Launcher has been a cornerstone of Bitwig's pre- and post-launch marketing.Ībleton did manage to pre-empt it, though. Perhaps the most talked-about feature of Bitwig Studio is its Clip Launcher, which parallels Live’s Session view but puts it in a pop-out pane that can be opened in the Arrange and Mix views (rather than constituting an entire modal screen of its own), enabling audio and Note clips to be freely moved between Arrange tracks and Clip Launcher slots. NEXT: Bitwig Studio vs Ableton live round 1 Prev of 8 Next Prev of 8 Next
#Bitwig studio setlist software
It's on, and if you want to find out much more about Bitwig Studio, check out Computer Music magazine issue 203, which includes a complete guide to the software that features step-by-step walkthroughs and videos. Over six rounds, we're going to let the two applications do battle, comparing everything from their interfaces and workflow to controller support and more.
#Bitwig studio setlist series
Take your seats, grapple fans, for the ultimate music software face-off: Ableton Live 9 vs Bitwig Studio 1.0 in the, er, World Series of DAWs… of a particular type.
To describe Bitwig as any kind of successor to Live's throne after only a few weeks on sale, then, would be ridiculous. Of course, Bitwig has the advantage of being new and, consequently, automatically exciting, while Live is a well-established feature of the music technology landscape and thus all too easy to take for granted. It’s still evidently built on Live foundations, but beyond that, it undeniably pushes the envelope in numerous areas, making Ableton's seemingly untouchable music production and performance giant look at times conservative and behind the curve. Now, two years later, Bitwig Studio is real, released and very much its own DAW. The GUI, the built-in devices, the Session View-style Clip Launcher… Truth be told, at that point the similarities were so numerous that we weren't entirely convinced it would ever actually make it to market - the involvement of several ex-Ableton developers notwithstanding. Back in early 2012, when we were first invited to check out an upcoming DAW from a new German developer going by the curious name of Bitwig, we were absolutely floored by just how much it appeared to be 'borrowing', quite openly, from Ableton Live.
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